Post-production
Video 7 glossary
- Workflow
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carefully planning the order of events and tasks to achieve a project or goal
- Selects
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best performances of actors, the best takes
- Timeline
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a sequence of events in order by date and or time
- Assembly
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compilation of footage
- Log
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a document that records information
- Best takes
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careful selection of the best footage for each portion of a film
- Rough cut
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first full draft of a film edit
- Cutaways
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video footage from another project that can be inserted into a film, such as providing an example or flash back
- Temp music/temporary music
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music added temporarily to the draft of a film to assist the editor with timing, or suggest emotion to the composer as they create new music for a film
- Passes
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draft edits of a film
- Fine cut
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version of a film in between rough cut and the final, locked edit; incorporates some music and sound effects as well as some careful editing of visuals and frames
- Locked off
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version of a film once the visuals have been finalised, ready for music and foley to be added
- Sound design
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sound effects, foley and noises for a film
- Score
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music composed for a film
- Diagetic
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film music where you can see the source of the music or musicians on the screen as well as hear the music, such as elevator music or a character singing as part of the plot
- Non diagetic
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film music for which the musicians or sound source are unseen, such as background music
- Online edit
-
another term for master file; finished product of a film
- Master the film
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exporting as a final film or master file
- Director
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oversees the actors and technical crew in a film; person in charge of creative vision from during pre-production, filming and post-production of a film
- Video timeline
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function in video editing software that lets you arrange short portions of video in a row
Videos 8a-d glossary
- Rushes
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large video files
- Lag
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when audio and visuals don't quite match due to complex computer processing; freezing or pauses created when digital files overload a computer's capacity
- Edit houses
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companies who cut and edit film footage
- VFX
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visual effects in a film
- Colourist
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technical job - adjusts the colour and tones of a film
- Compositing
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cleaning up backgrounds or tweaking the film's frame
- Workflow
-
carefully planning the order of events and tasks to achieve a project or goal
- Proxy
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smaller file size
- Scene
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a short section or chunk of a film
- Shot
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type of camera angle used for one take of a dramatic scene
- Take/takes
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numbering system for reference when there is more than one recording of one scene
- Frame
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the visuals in one camera shot or view
- Selecting
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watching all the takes of every shot, and taking notes on the preferred material
- Dogmatic
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following as standard set of rules or processes
- Intuition
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sub-conscious ideas, interpretation, responses or thoughts
- Cutting
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choosing and connecting short sections of film
- Montage
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several different, short, related videos connected as a film sequence
- Transitional tool
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a way of linking together different scenes
- Transition
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link between 2 different sections of film, music, plot or stages of life
- Continuity edit
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matching an action across 2 different shots
- Rubric
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set of instructions or rules; a list of different criteria or features
- Rough assembly
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earliest version of the film edit process
- Selects assembly
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more refined version of the film edit (compared to rough assembly)
- White balance
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something that is white in real life is made to look white on a film screen
- Overexpose (light)
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too strong or too much light entering the camera lens
- Under expose
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not enough light entering the camera lens
- Grain
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low quality images or random textures on a photo or film
- Saturation
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with vivid colours
- Sepia
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a variety of brown colours
- Mastering
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applying finishing touches
Questions
- What tips and techniques from Grace Eyre and Genevieve Clay-Smith are you going to adopt in your film?
- How will you organise your workflow? Create a list of steps and processes that will help you and your team stay on track.
- What are the common mistakes new editors make? How will you avoid making these mistakes?
- How will you ensure your edits are in line with the intentions of the director and team?